I am a big fan of movies, especially movies with a great story. One of those movies is the recent version of The Secret Life of Walter Mitty. In case you aren’t familiar with the story it stems from a short story published in The New Yorker magazine. James Thurber’s 1939 story introduces the daydreaming adventurer Walter Mitty and follows him as he drifts between reality and fantasy. It’s a great read!
First made into a movie in 1947, it featured the talented Danny Kaye and followed somewhat close to Thurber’s original short story. The latest iteration though takes a little bit more license with the story and creates a beautiful movie that draws the watcher in with its remarkable layers and depth.
There are so many parts to this movie that have drawn me in and enthralled me that I don’t know which ones to even write about here. The principle idea, that a major news/media outlet has to undergo the switch from print to digital and the effect that it will have on the staff, is something that so many journalists across the world can easily identify with. There is quite a shift to go from designing for print vs. the web and to see if played out in a film allows the viewer to ironically (it seems to me) to get lost in a day dream–as Walter Mitty regularly does–where the action seems to be happening without ever really materializing.
As I have watched this movie countless times, I constantly find myself thinking about my own work in visual storytelling. I think about how I might identify with the characters in the movie, the depth of the character development allows you almost to get lost in them and to come out on the other side challenged by them.
I think that is one aspect of a great story, to be drawn in to a depth that you begin to incorporate aspects of the story into your own reality, where they fit. I’m not talking about trying to live someone else’s story, but being challenged to expand your own story deeper to realms you may not have thought were possible.